Will Corke's digital gallimaufry

Month

March 2009

3 posts

Twitter client wars opens new front with Facebook integration

There’s lots of noise around Twitter today about Tweetdeck’s latest development in its functionality - an integration with Facebook’s status updates.

@Mashable has published good article, Facebook Integration Arrives on TweetDeck, which highlights some interesting aspects of this development; Tweetdeck is effectively becoming an IM client, for example.

I have had a quick play with TweetDeck v0.24b, and I think I like having the FB status updates alongside my various Twitter groups.  My time on FB (already much reduced by the rise of Twitter) will probably take another downward step…

People who are displaying their Twitter stream directly into Facebook (like Roberto Hortal (@rhortal) from MORE TH>N, whom I’m connected to on both Twitter and Facebook, might well reconsider how their updates are displayed to avoid duplication as below (the subject of Robert’s tweet/status update is quite appropriate).

Mar 16, 2009
The old guard fights back

When the going gets…  Well things are more than tough for many, and the business re-engineering that the inexorable rise of digital has brought to many or most business sectors is often being hastened by the recession.

In the past 24 hours, we’ve seen the latest bout in the long-running feud between

the aged (but beautifully preserved) L’Orea

l
(in the Euro corner, representing the old guard, nee 1909) squaring up to the fresh-faced preppy (in the US corner, born 1995) that is eBay, in London’s High Court.

A few hours later, the UK awoke this morning to the news that YouTube has “pulled thousands of music videos from its website after failing to agree terms with the UK’s main songwriters’ collection society”.

These two spats, though different in the way they are being fought out, have a lot in common.  In both instances, the ‘traditional’ owners of IP see their brands or content being monetised by others to build huge businesses, with little of none of the commercial benefits coming to the rights owner.

L’Oreal has won a couple of cases against eBay in the French courts, and there’s little doubt these skirmishes will continue to flare up around the world for years to come.  But the eBay / Google / YouTube etc. genii are out of their bottles now, and there’s no way of putting them back in.

There are implications for private individuals’ use of copyrighted material swimming around here also, so perh

aps I shouldn’t have ‘borrowed’ the logos that add a dash of colour (though not legitimacy…) to this post.

I’m not an IP lawyer (did you spot that?), but I predict there will be some shifts in the law to take account of the new digital landscape - some liberalisations (borrow my brand if you want, but respect it, and if you make some money, make a contribution); but perhaps, conversely, some increased controls (making it harder for producers of counterfeit luxury goods brands to operate).

Mar 10, 2009
Brands and satire

The devil has the best tunes, and the satirist is more entertaining (or should be, if they want to keep working) than the politicians and public figures whose excesses and inadaquecies they expose.

For brands, the same rules apply, and there are in reality few big brands who can afford to be consistently incisive, witty, scabrous or entertaining, without running foul of their customers, own internal legal department or ‘brand police’.

I was reminded of this theme - a constant challenge for marketing people everywhere - while scanning my Twittter feed this morning. 

UK celebrity chef, and all-round good egg (organic natch!) Jamie Oliver has got up on this Monday morning and taken time to talk to his 21,141 followers thus:

“Good weekend everyone?”

In contrast, here’s a sample tweet from @RichardMadeley:

“Okay. One. More. Time!!! ‘Aga-doo-doo-doo, I’ve got three nipples on my chest. Aga-doo-doo-doo, they poke many holes in my vest.’”

The difference in output couldn’t be more stark!  The underlying reason is of course that one is satire (I wonder if the real Richard Madeley reads ‘Uncle Dick’, I bet he does), the other a real ‘brand’ with all that implies.

Enough from me, I must go back to dreaming up edgy viral campaigns for insurance companies. 

Mar 9, 2009
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